![]() In 1940 he oversaw the publication of a standard songbook for generations of Southern Baptists: The Broadman Hymnal, originally issued in both round-note and shape-note editions. B.” McKinney, who was raised on a farm near Shreveport, became a prominent figure in the hierarchy of the mainstream Southern Baptist Church. By the end of the nineteenth century, the sales of shape-note songbooks supported a thriving music book publishing industry.ĭuring this era, songwriter and educator Baylus Benjamin “B. Once printed texts began to appear early in the nineteenth century, the practice became especially popular in rural evangelical churches of the South. Shape-note singing in the United States originated in late eighteenth-century New England as a teaching device that proved an efficient way of coordinating participants in congregational and community singing activities. The shape-note tradition uses a series of geometric shapes instead of musical notes each shape of the scale represents a corresponding syllable: do, re, mi, fa, sol, la, and ti. White gospel’s origins seem to lie in a uniquely American tradition: shape-note singing, also known as sacred harp singing. It generally refers to religious music developed before the advent of the more slickly produced and commercially promoted contemporary Christian music that had emerged by the end of the twentieth century.įrom Shape-Note Systems to the Rise of Quartet Music More recently, however, “gospel” has applied to broader evangelical Christian music of both white and African American traditions. The term “gospel” historically referred to music associated with the rapidly growing Pentecostal movement of the late nineteenth and early twentieth centuries. ![]()
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